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Friday, April 26, 2019

Hanuman, A Jewel Amongst Yogis

Lord Hanuman remains as the best case of human brilliance. He is the best of Rama-fans, having stayed in this world for whatever length of time that the Ramayana is discussed, even after the remainder of the characters left for parloka (the consequent domain of presence). He is the child of Anjanadevi and Vayudeva, and coached by none other than Sooryadeva Himself. Insidious as He was as a tyke (the mark facial structure that loans Him His name is the consequence of a rebuffing pass up an irritated Indra), He grew up to be a yogi of the most noteworthy request, having achieved every

one of the eight of the traditional ashta-siddhis of yoga. It is this roopa of His that has been portrayed in this wood-cut sculpture, wherein He is situated in a poorna-padmasana with His palms united in the dhyana muda and the eyes shut (the look is coordinated inwards).


The excellence of Ramayan's most splendid character has been caught in this hindu sculpture with incredible ability. The attractive substance of the Lord is confined by a semi-roundabout corona, the excitement of which has been passed on with various levels of etching. Wide shoulders and strong arms offer route to a well-characterized middle pursued by appendages of perfect quality. Magnificent shringar and a dhoti of silk, the creases of which are spread on the platform directly underneath where He is situated, effortlessness His structure. The three-layered platform is the most strange part of this arrangement. The highest level is engraved with lotus petals; the center level has reversed lotus petals superimposed with His mark weapon, the prod; and the third level has a blossom in full sprout at the middle.

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